Character traits in peter schaffers equus

Equus Summary

And why do we abide by them? By using these words to convince Dysart of the morality in his work, Hesther is characterized as a somewhat forceful character who, in the process of attempting to convince others of the righteousness of her own opinions, may come to be seen Character traits in peter schaffers equus not so different from characters like Dora and Frank Strang, who also sought to sway Alan in the direction of their individual belief systems.

That simply has to be enough for you, surely? In this way Hesther, despite her calm words and reasonable, balanced attitude, may also demonstrate how we are all committed to our own belief system and how, once we believe, even the most rational and insightful of us can fail to see the limited nature of our value system.

For Alan, it was a Character traits in peter schaffers equus of great passion; it began his sense of a godlike spirit in horses, a god he named Equus.

Martin Dysart is first introduced to Alan Strang through Hesther Salomon, a magistrate who believes Dysart is the only psychiatrist who might be able to help the boy. Unperturbed, Dysart begins seeing Alan and then begins to make inquiries.

Oddly, however, Alan never rode the horses, though Mr. Jealous of Alan Strang. However, Harry Dalton, the owner of the stable where Alan worked, tells Dysart that Alan may have been taking horses out on secret midnight rides. Dalton, Dysart learns that Alan was introduced to the stable by Jill Mason, and at first he believed that he found a good worker, since Alan did much more than his share of grooming the horses and cleaning the stables.

Clearly, Alan was passionately fascinated by horses; in fact, he worshiped the god He finds the Strang household to be absolutely normal superficially, but, beneath this appearance of normality, strange tensions vibrate. That much, at least, you know. Ashamed and embarrassed, he chases Jill out of the stable and then blinds the horses with a hoof-pick in an attempt to silence the mocking and judgmental voice of Equus.

Dalton suspected that periodically they were ridden at night. What if more harm comes from them than good? Dysart instructs Alan to act out one of these rides, which turns out to be a ritual Alan has created in honor of the god Equus, a deity that he believes speaks from and lives in horses.

A rider took him up and down through the surf, Alan glorying in the ride until his enraged father pulled him down from the horse, claiming that the horse and rider were menaces to safety. Using a small recorder, Alan tells Dysart of his first encounter with a horse on a beach when he was six years old.

Regardless of this, the fact that Hesther draws from personal experience in this way shows how close she is with Dysart as strives to make him feel better about his actions. Strang is dictatorial and repressed; Mrs.

On the one hand, treating Alan will restore the boy back to normal society and relieve him of his immense pain. Neither is able to deal in any real way with what happened. During the ritual, Alan leads a horse into a field and rides it bareback and naked, shouting in praise of Equus until he reaches a spiritual and sexual climax.

Alan, age 17, has blinded six horses in the stable where he worked. Hesther is shown to be an unwavering believer in the concept of normality that society has laid out, and also seems to dedicate herself wholly to her profession. But after Alan falls asleep, Dysart voices his doubts about the effect and purpose of his profession.

Cite This Page Hong, Kevin. Alan, however, cannot consummate the act because his mind is consumed by thoughts of Equus.

She is placed in contrast with Dysart to emphasize his internal turmoil as he questions the value of normality and thus his work.

Equus Characters

This allows the action of the play to unfold in fluid fashion. Strang is filled with religious mania. He is confronted by this recognition through his treatment of Alan Strang, an adolescent who inexplicably blinds six horses with a horsepick.

Retrieved September 11, Shaffer thus, ultimately, leaves uncertain about the value of the normal as both Dysart and Hester appear to have a point. At the same time she also seems to be genuinely caring and almost maternal, after all she was the one who sent Alan to Dysart rather than jail.

In this way Hesther fulfils at least two important thematic functions: Her clear commitment to the jobs that both she and Dysart do fulfill at least two functions: It is a crime that shocks and outrages the owner of the stables, who believes that Alan should be imprisoned.

After taking the pill, Alan finally feels that he has been given full permission to speak freely.

Dysart comforts the hysterical and convulsing Alan, assuring the patient that he will be eventually cured of his mental illness. But he begins to open up after a series of terrible nightmares.

In addition to offering moral support, Hesther is also used to reinforce the impression that Dysart is dissatisfied with his life and, in particular, his loveless marriage.

Caught between the dullness of modern society and the horror of human passion, Dysart stares out into the darkness, utterly ambivalent.Equus characters breakdowns including full descriptions with standard casting requirements and expert analysis.

In the play Equus, what is Peter Shaffer saying about the power of horses and their influence on Horses have a powerful presence in Peter Shaffer’s Equus.

We. Character Traits in Peter Schaffer's Equus PAGES 1. WORDS View Full Essay. More essays like this: god of health, peter schaffer, chief priest, sacrificing children. Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed.

- Jenna Kraig, student @ UCLA. This Study Guide consists of approximately 30 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Equus. Hong, Kevin. "Equus Characters." LitCharts. LitCharts LLC, 25 Sep Web. 15 Aug In Equus and The Stranger, authors Peter Shaffer and Albert Camus create an absence of passion and love for their characters of Dysart and Meursault through characterization and overall tone of the text, which creates isolated characters.

Character traits in peter schaffers equus
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