Then, the poet reaches a fork in the road. Using variation and his brand of words, his poems followed a unique composition.
Perhaps not, life has a way of letting one thing leading to another until going backwards is just no longer an option. Viewing a choice as a fork in a path, it becomes clear that we must choose one direction or another, but not both.
As in the last stanza, the individual realizes the finality of his decision and its irreversible effects. As the speaker of this poem discusses, for every road that is taken, there is a road that is not taken. He is reflecting on the many choices he made throughout his life, and wondering how different would his life be if he had made other decisions taken other roads.
When he chooses one of the roads, the metaphor extends to the quick decision not really based on anything concrete. The archetypical conundrum is the primary attraction of the poem, readers instantly relate with their personal experiences. He contemplates what could have happened if he made a different choice, took the other road?
For instance, he could refer to never going to university and gaining a degree. So, the tone is meditative. At times, he created forms to suit his poetry. Paths in the woods and forks in roads are ancient and deep-seated metaphors for the lifeline, its crises and decisions.
Stanza 3 The individual attempts to convince himself with little success, bordering on self-delusion. The two roads are basically the same. I took the one less traveled by, And that has made all the difference.
Neither of the roads is less traveled by. Historical Perspective Robert Frost has penned the poem in first person style.
The ironic undertone is inexorable. According to him, his friend was always regretful of his decision, irrespective of the road taken.
The speaker chooses one, telling himself that he will take the other another day.
Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. The situation demands a serious approach, for who knows what the outcome will be?
Which road to take?
And then we get the famous line "and that has made all the difference," which solidifies the figurative level of this poem by saying that taking the road that the speaker took, making the choice that he made, has changed his life.Essay Analysis of The Road Not Taken, by Robert Frost Words 4 Pages In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout.
Lines The repetition of the first line brings us back to the beginning of the extended metaphor, and then the last two lines conclude the metaphor. In line 19, one of the roads is being affirmed as less traveled, even though the narrator seemed unsure before.
Apr 15, · In the poem The Road Not Taken By: Robert frost consist of four stanzas with five lines each. There are few rhymes that occur, like in the first stanza, line one, three and four rhyme. The words that rhyme is wood, stood and rhyme.
Robert Frost’s poetic masterpiece, 'The Road Not Taken', is arguably the most infamously misunderstood poems as of yet.
Here is an analysis of the poem.
Robert Frost: Poems Summary and Analysis of "The Road Not Taken" () Buy Study Guide The narrator comes upon a fork in the road while walking through a yellow wood. “The Road Not Taken” by Robert Frost has become one of the most recognizable poems in American literature.
It is a poem that speaks to choices, and yet there is a tone of remorse.Download